Horns
More clothing
Worst clothing is Touhou clothing.I have nothing else to say, other than I do not enjoy drawing…View Postshared via WordPress.com

More clothing


Worst clothing is Touhou clothing.
I have nothing else to say, other than I do not enjoy drawing…

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( ͡° ͜ʖ ͡°)
Why do I keep seeing this goddamn face everywhere. (´д`)Anyway, I’m pretty much done with this…View Postshared via WordPress.com

( ͡° ͜ʖ ͡°)


Why do I keep seeing this goddamn face everywhere. (´д`)
Anyway, I’m pretty much done with this…

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The World
Yes, I know the joke has been done ages ago, but why the hell not.View Postshared via WordPress.com

The World


Yes, I know the joke has been done ages ago, but why the hell not.

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She’s eating her
I don’t know; this was better in my mind before I started drawing it.
No comment otherwise!View Postshared via WordPress.com

She’s eating her


I don’t know; this was better in my mind before I started drawing it.
No comment otherwise!

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I am not Kaname
I haven’t done this in a while, I guess.
And yes, I am trying to secretly compete against Kaname,…View Postshared via WordPress.com

I am not Kaname

I haven’t done this in a while, I guess.
And yes, I am trying to secretly compete against Kaname,…

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I’m debating if I want to change her hair; though I prefer the look of it being up, I’m really awful at drawing it that way.
Also, I really hate drawing that goddamn hat.

I’m debating if I want to change her hair; though I prefer the look of it being up, I’m really awful at drawing it that way.
Also, I really hate drawing that goddamn hat.

In quite possibly one of the most protracted drawings I’ve done, I’m finally done with this one, I think.  Amongst some of the reasons was endlessly tweaking some of the values and lines, not to mention trying something different with the hair.

Maybe Yukari next?

In quite possibly one of the most protracted drawings I’ve done, I’m finally done with this one, I think. Amongst some of the reasons was endlessly tweaking some of the values and lines, not to mention trying something different with the hair.

Maybe Yukari next?

I am not qualified to do this.

Today was spent doing other work that’s not ready to be shown yet, so here’s the breakdown of yesterday’s stream, complete with commentary.


Here is the lineart, almost cleaned up.  Note that the face, hair, hands, feet, etc. are not finished.


I always use a light or muted color for the backdrop; working against solid white or neutrals can sometimes negatively affect your initial palette.  Using a background color will influence the temperature, so choose accordingly.


I always use two colors when I start: the base and the shade tone.  In actuality, the base here is very light and closer to the highlight, and the shade here is not the darkest tone, but the base tone will be derived from blending in the next step.
I roughly block out the shadows; the light source is fairly intense from the front of the figure.


Here comes the blending.  This is similar to working in monochrome, except of strictly having values, there is also hue and saturation involved in the gradient.  This is still very rough and fast because I am just trying to figure out where there should be hard edges and smooth transitions. Contrast isn’t my main priority here, since I don’t have all my values in place yet.


Now I identify where the darkest parts should be, and plop down the colors similarly to what I did before.  Again, this value isn’t just darker, but the hue and saturation has changed as well.


Again with the blending.  As my gradient becomes more defined and develops more colors, I can start to spread out the colors a bit more thoughtfully in regards to contrast


This is where some of the initial polish work starts to show up, but I am mostly jumping around the piece at this point to whatever catches my attention.  Forms that were not implied by the lines are now being done by the shading instead, such as on the abdomen, arms, and legs.


I feel like the darkest value isn’t dark enough, so I try to introduce another color.  This time, I’m being more subtle with an airbrush instead, since it won’t disturb the blending I’ve already done nearly as much as taking the steps I did before.


Now, I want to work highlights to make the form pop even more.  I try not to go overboard with them because that will make the drawing look too uniform and strange.


Using the same techniques as before, I blend in the highlights and repeat the process again with white specular highlights to give it a more shiny look and to further develop the form.


Then I ruin everything by erasing her chest and giving her a top.  Note how I added additional shading and highlights around the areas of clothing in order to emphasize that they pressing into the skin.

Though this drawing is far from complete, and I will later further push the values AGAIN, the essential form is pretty much there and just needs to be tweaked endlessly before I get a finished product.

I am not qualified to do this.

Today was spent doing other work that’s not ready to be shown yet, so here’s the breakdown of yesterday’s stream, complete with commentary.

what
Here is the lineart, almost cleaned up. Note that the face, hair, hands, feet, etc. are not finished.

what
I always use a light or muted color for the backdrop; working against solid white or neutrals can sometimes negatively affect your initial palette. Using a background color will influence the temperature, so choose accordingly.

what
I always use two colors when I start: the base and the shade tone. In actuality, the base here is very light and closer to the highlight, and the shade here is not the darkest tone, but the base tone will be derived from blending in the next step.
I roughly block out the shadows; the light source is fairly intense from the front of the figure.

what
Here comes the blending. This is similar to working in monochrome, except of strictly having values, there is also hue and saturation involved in the gradient. This is still very rough and fast because I am just trying to figure out where there should be hard edges and smooth transitions. Contrast isn’t my main priority here, since I don’t have all my values in place yet.

what
Now I identify where the darkest parts should be, and plop down the colors similarly to what I did before. Again, this value isn’t just darker, but the hue and saturation has changed as well.

what
Again with the blending. As my gradient becomes more defined and develops more colors, I can start to spread out the colors a bit more thoughtfully in regards to contrast

what
This is where some of the initial polish work starts to show up, but I am mostly jumping around the piece at this point to whatever catches my attention. Forms that were not implied by the lines are now being done by the shading instead, such as on the abdomen, arms, and legs.

what
I feel like the darkest value isn’t dark enough, so I try to introduce another color. This time, I’m being more subtle with an airbrush instead, since it won’t disturb the blending I’ve already done nearly as much as taking the steps I did before.

what
Now, I want to work highlights to make the form pop even more. I try not to go overboard with them because that will make the drawing look too uniform and strange.

what
Using the same techniques as before, I blend in the highlights and repeat the process again with white specular highlights to give it a more shiny look and to further develop the form.

what
Then I ruin everything by erasing her chest and giving her a top. Note how I added additional shading and highlights around the areas of clothing in order to emphasize that they pressing into the skin.

Though this drawing is far from complete, and I will later further push the values AGAIN, the essential form is pretty much there and just needs to be tweaked endlessly before I get a finished product.

I mean, that’s just pretty impractical.

I took screenshots of the drawing process during the stream, since I figured some people were maybe curious about some of the processes that I go through.  That will be uploaded tomorrow if I can be arsed to arrange twelve images of that and put it up with descriptions.

I mean, that’s just pretty impractical.

I took screenshots of the drawing process during the stream, since I figured some people were maybe curious about some of the processes that I go through. That will be uploaded tomorrow if I can be arsed to arrange twelve images of that and put it up with descriptions.

Well, my desk broke, so my desktop setup pretty much came crashing down today.
This sketch took an unreasonably long amount of time, probably because I’m extremely horrible with frontal angles, especially with the face, shoulders, chest, hips…that seems to be pretty much everything.  In any case, this just left me feeling pretty annoyed.

I guess I’ll draw some more breasts tomorrow.

Just wondering, does this drawing look completely neutral grey to you?  If so, you should consider recalibrating your monitor some time.

Well, my desk broke, so my desktop setup pretty much came crashing down today.
This sketch took an unreasonably long amount of time, probably because I’m extremely horrible with frontal angles, especially with the face, shoulders, chest, hips…that seems to be pretty much everything. In any case, this just left me feeling pretty annoyed.

I guess I’ll draw some more breasts tomorrow.

Just wondering, does this drawing look completely neutral grey to you? If so, you should consider recalibrating your monitor some time.